Layer Tab
The Layer tab(s) contain configuration settings for each layer of the selected device queue. Each layer represents a distinct pass of the print head over the substrate (for example, an underbase usually defines how much white is printed and a color layer defines how the colors are printed over the underbase). The advantages of multiple layers include the ability to configure each pass, resolution can be set (i.e., low resolution for underbase) to expedite work flow, and single colors can be used as single layers so troubleshooting is easier.
To add or delete a layer, click the plus or minus buttons next to the queue name.
It is important to ensure your color layers are in the correct printing order. In the Queue Properties dialog, the layer shown at the top is the first one printed (the underbase layer).
To move layers up and down, click the arrows next to the queue name.
The following options are available by enabling advanced settings and options:
- CMYK Color Adjustments
- Separation Curves
- Max Ink
- Variable Dot Setup
- increased amount of options on the Printer Options tab of the Queue Properties dialog
Go to Tools > Options, in the General tab, select Show advanced settings and options, then click Save and Close.
Rename | |
Based on print mode | Select a print mode based on search settings. |
Layers |
Select to enable a color plane on this layer, the flood, set a choke value using the arrows, and set a synonym for the color plane name. Use X Shift (horizontal) and Y Shift (vertical) to fix plane alignment issues on 8-bit devices (per pixel). Note: This choke setting is used when underbase white is created in the design application. If underbase white is generated automatically in the queue, use the Processing Options tab. Note: If choke is set both here and in the Halftones tab, and the Halftones tab setting overrides this tab setting.
|
Exclude from preview | Select to exclude this layer from the preview. |
Use multipage document as layers |
Select to use documents with more than one page as layers. Select a page number. Note: You cannot mix pages when some have underbase data and others do not. If the underbase data on the layers is mixed (for example, a custom white channel), proceed as follows:
|
Mirroring |
Select an option for the layer:
Note: If you have set rotation on import, the output will first rotate and then mirror (useful for double-sided signs, printed using layers). |
Flood level | Use the slider or arrows to set a flood level (the base coat to paint the sheet). |
Layer Passes | Set number of times to process this layer. |
Auto pause time | Use the arrows to set an automatic pause (in seconds) between processing each layer. |
Prompt for pause | Select to prompt for the pause between layers. |
Toggle port | Close the port and reopen it between layers. |
Scale X, Scale Y |
Select amount of scaling on X, Y planes. Note: If scaling is used with copy groups, gaps will appear. For best seamless results, scale to 100% and use hardware options. |
Processing Options | |
White and color options | |
White underbase / Highlight options |
Choose from the following:
Note: Depending on the layer options chosen, values below may not be available. |
Underbase strength (white under black) | |
Maximum ink % (white ink strength) |
|
Choke the underbase (stop white underbase peeking out) |
If white is generated automatically, use the choke value in this tab. If white is generated in the graphic, use the choke in the Layer Profile tab. |
Highlight white | Set a highlight white ink percentage (on the same layer) to apply a different ink volume to the underbase and highlight. |
Treat all semi-transparent as opaque | |
CMYK color adjustments |
Use the following options:
|
Clear and Other Spot Options | |
Other Spot Options (based on alpha channel) |
Use the following options:
|
Clear options | |
Reset to print mode | Reset values to correspond with print mode values. |
Options |
Find the option and use the drop-down list in the Value column to make changes. Note: Options vary by device. |
Input data |
Select a color value in the drop-down list below the graph, then select one of the options: |
Use same curve for all | Select to enable same curve for all color values. When enabled, color selection drop-down is disabled. |
Reset to print mode | Reset values to correspond with print mode values. |
Reset to defaults | |
Colors, Channels | Select a value and use the arrows to adjust values or manually adjust using the graph (click and drag to adjust). |
Keep 0%=0% | Select to enable 0% always equaling 0%. |
Reset to line | |
Reset to print mode | Click to reset values to print mode values. |
Save curve data | |
Load curve data | |
Maximum ink level | |
Start ink reduction from | |
Hard cap beyond | |
Override input profile |
Select to override input profile. If selected, use the drop-down list to select a profile set to use.
|
Vector input profiles | All six of these profiles form a profile set (a grouping of input profiles). Three are vector (RGB, LAB, CMYK) and three are bitmap (RGB, LAB, CMYK). To use different input profiles for bitmaps, select Image input profiles. |
Image input profiles | |
Rendering |
Click the drop-down arrow to display the Rendering dialog.
The rendering intent determines how these colors are mapped from the input profile to the output profile. |
Override output profile |
Select to override output profile. If selected, use the ellipsis button to select a profile set to use. The ICM Source Selector dialog appears.
Click the arrow drop-down to launch the Device Link dialog. Use the ellipsis button to open the ICM Source Selector to make selections.
|
Override | Select to override. If selected, the options below are available. |
Apply ICC to grayscales | |
Spot color matching | Select to enable spot color matching. If the graphic contains spot colors and the colors are not correct, try disabling this option. |
Enable halftoning | |
Inks |
For each ink, set the frequency (measured in LPI; the resolution of the dot shape), angle (to ensure consistency in production), and shape for each ink (depending on the detail desired). Set the choke, increase the value. To set the spread, decrease the value.
|
Remove plates | |
Jitter |
Click to view jitter factor vs. halftone level graph. Modify halftone screens to improve print quality by clicking and dragging to adjust. Jitter introduces miniscule distortions to the dot shape making the overall pattern within the dots less discernible. Save and Load a preset as a .jitt, Halftone Level: The increasing size of a halftone cell, from 0% tint (empty) to 100% tint (completely filled in cell). Jitter Factor: The amount of randomness applied within any given range of the Halftone Level. By default, there is zero jitter. To distort a pattern, select a suitable range and increase the jitter for that range. Increasing above 1.0 can cause the halftone to lose structure. Ranges:
|
Enable application halftoning | Select to enable halftone information set in the design application. |
Enable application spot function | Select to enable the dot shape set in the design application. |
Use super cell |
Group four normal halftone cells into one, increasing the number of gray levels without increasing the frequency of the halftone. |
Enable variable dot profiling |
Select to enable variable dot profiling. When disabled, ink output volume increases. Note: If halftones are enabled or disabled, this feature interacts differently. Variable Dot Setup is device dependent. The Ink Setup value on the Printer Options tab directly correlates with these settings. With laser printers, the dot size and hole size are adjustable. For more information, see Color Adjust. Enabled Advanced Screening to ensure channel information is separated to unique areas when placing dots (so no information is lost or covered by dots of other channels). |
Colors | Select a value from the drop-down list and a percentage of use. |
Presets | In Print Mode Properties, use the drop-down to select a pre-designed Tri-Zone screening. Note: Only available when Print Mode Creation enabled. |